ADADA+CUMULUS 2022

• Tetsuaki Baba, Tokyo Metropolitan University, Japan
• Kyle Hyunsuk Kim, Hongik University, South Korea
• Friska Natalia, Multimedia Nusantara University, Indonesia
• Muhammad Irsyad Bin Abdullah, Management & Science University, Malaysia
• Ming Turner, National Cheng Kung University, Taiwan

• Taketoshi Ushiama, Kyushu University, Japan
• Hiroyuki Matsuguma, Kyushu University, Japan

• Hiroshi Kono, Kurume Institute of Technology,Japan
• Satoru Tokuhisa, Kyushu University, Japan
• Yuki Morimoto, Kyushu University, Japan
• Tatsuro Kudo, Kurume Institute of Technology,Japan

• Seiichiro Matsumura, Tokyo University of Technology, Japan
• Taketoshi Ushiama, Kyushu University, Japan

• Tetsuaki Baba, Tokyo Metropolitan University
• Wei-Chi Chien,National Cheng Kung University
• Banung Grahita, Institut Teknologi Bandung
• Hiroyuki Kajihara, Tainan University of Technology
• Kunio Kondo, Tokyo University of Technology
• Hiroshi Kono, Kurume Institute of Technology
• Yusup Sigit Martyastiadi, Universitas Multimedia Nusantara
• Hiroyuki Matsuguma, Kyushu University
• Seiichiro Matsumura, Tokyo University of Technology
• Kosuke Matsunaga, Sapporo City University
• Safinaz Mustapha, Management & Science University
• Takashi Ohta, Tokyo University of Technology
• Dianing Ratri, Institut Teknologi Bandung
• Moh. Rizaldi, University of Multimedia Nusantara
• Pavadee Sompagdee, King Mongkut's University of Technology Thonburi
• Joe Takayama, Musashino Art University
• Satoru Tokuhisa, Kyushu University
• Reiji Tsuruno, Kyushu University
• Taketoshi Ushiama Kyushu University

• Chair,Seiichiro Matsumura, Tokyo University of Technology, Japan
• Vice Chair, Jaeyoung Yun, Hongik University, Korea
• Vice Chair, Mohammad Rizaldi, Universitas Multimedia Nusantara, Indoensia
• Vice Chair, Muhammad Irsyad, Management & Science University, Malaysia
• Vice Chair, Ming Turner,National Cheng Kung University,Taiwan
• Vice Chair, Hiroshi KONO,Kurume Institute of Technology,Japan
• Vice Chair, Kosuke Matsunaga,Sapporo City University, Japan
• Agatha Maisie Tjandra,Universitas Multimedia Nusantara,Indoensia
• Banung Grahita, Institut Teknologi Bandung, Indoensia
• Ainol Fauziah, Management & Science University, Malaysia
• Chen-Wei Chiang, National Taipei University of Technology,Taiwan
• Toshiya Kuroiwa, Kyushu Sangyo University,Japan
• Takashi Ohta, Tokyo University of Technology, Japan
• Toru Hoshuyama, Nishinippon Institute of Technology, Japan
• Akira Nakayasu, Tokyo Metropolitan University, Japan
• Koushi Hoshino, Kyushu Sangyo University, Japan
• Takeshiro Kumagai, Yamaguchi University, Japan
• Makoto Yokoo, University of Aizu, Japan
• Yuki Morimoto, Kyushu University, Japan
• Hirotaka Suzuki, Kobe University, Japan

We cordially invite you to submit a paper to the upcoming 2022 the 20th International Conference of Asia Digital Art and Design (ADADA 2022) on November 26th - 27th, 2022.

The International Conference of ADADA is one of the major conferences about art and design associated with digital technologies. It aims to bring together researchers, designers, artists, and students to present their novel works, exchange innovative ideas, and discuss the future of digital art and design in Asia.

Authors are invited to submit original, unpublished research work and art papers and work in progress on all topics in the general areas of art and design associated with digital technologies. The 2022 ADADA Conference has introduced the Journal track as one of the paper submission options. If you submit your paper to the Journal Track, it will be accepted for publication in the ADADA Journal indexed in Scopus, and you will also have the opportunity to give an oral presentation at the 2022 ADADA Conference. If unfortunately, your paper is not accepted for the ADADA Journal, it will be reviewed for the conference at the same time, and if accepted, you will be able to present your paper at the 2022 ADADA Conference and it will be published in the Proceedings. The Work-in-Progress session invites presentations of the research you have just started or are in the process of conducting. Papers submitted to Work in Progress are only briefly screened and are not peer-reviewed. Presenters may participate in this session with only a 200-word summary in English.

All the presentation slides should be prepared in English. Oral presentations in General Category should be given in English, but oral presentations in Work in Progress Category could be given in their native language or in English. In either case, the automatic translation will be available for participants to view.

Simultaneous submission to other publication venues is not permitted. The categories for submission are the following:

• General Category (Journal Track)
• Paper
• Original Article(Technical Papers): from 3 to 6 pages
• Art Papers: from 3 to 6pages
• General Category (Conference Track)
• Paper
• Original Article(Technical Papers): from 3 to 6 pages
• Art Papers: from 3 to 6pages
• Short paper
• Original Article(Technical Papers):1 or 2 pages
• Art Papers: 1 or 2 pages
• Work in Progress Category
• Abstract: 200 words

Paper length must match the size of the contribution listed in the Categories for Submission above. Papers will be subjected to two-blind peer review by experts. The committee will select papers of exceptional quality for awards. Furthermore, the authors of the selected papers from the conference will be invited to prepare an extended version of their paper to be considered for publishing in ADADA International Journals (ADADA Journal).

• Your paper submitted to the journal track will be simultaneously reviewed by the journal and the conference.
• The ADADA Journal Editorial Board will conduct the journal review according to the ADADA Journal review procedures.
• If your paper is accepted for publication in ADADA Journal, it will be published in one of the ADADA Journals, and you will have the opportunity to present your paper at the 2022 ADADA Conference.
• Please note that if your paper is accepted for publication in the journal, it will not appear in the Proceedings of the 2022 ADADA Conference.
• The publication fee for the ADADA journal is included in the 2022 ADADA Conference registration fee.
• If your paper is not accepted for publication in an ADADA journal but is accepted by the conference review, you will still be given the opportunity to present your paper at the 2022 ADADA Conference, and it will be published in the 2022 ADADA Conference Proceedings.
• If you are submitting to the journal track, please follow the ADADA journal submission instructions for submitting your paper.
• Submission instructions and paper formats for ADADA journals can be found at the following ADADA journal submission site.http://adada.info/index.php/submit/
• If you are submitting to the journal track, please include [2022 ADADA Journal Track] in the title of the email to which you attach your paper.

• The 2022 ADADA Conference invites research papers and art papers.
• Each paper will be 2-6 pages in length for long papers or 1 or 2 pages in length for short papers, and submitted papers will be peer-reviewed by several members of the program committee and accepted if they are judged to be of high academic and artistic quality.
• If your paper is accepted for the 2022 ADADA Conference, you will have the opportunity to give an oral presentation at the conference, and your paper will be reproduced in the conference proceedings.

2022 ADADA invites papers describing original contributions in all fields of art and design associated with digital technologies and related research areas. All submissions should be in English. For every accepted submission, it is required that at least one author will attend the conference to present the work. Research topics of interest for 2022 ADADA include, but are not limited to:

• Interactive Art, Digital Art, Media Art
• Interaction Design, Interactive Technologies
• Computer Animation, Computer Graphics, Visual Effects
• Web Design, Web Application Design, Web Service Design
• Virtual Reality, Augmented Reality
• Digital Game and Gamification
• Social Networks, SNS
• IoT, Sensor Networks, Big Data
• Innovative devices, Robotics for Art, Gadgets
• Education, Digital Archives
• Digital Content Design
• Design Theory and Design Methodology
• Digital Music, Musical Interface, Sonification
• Design Cases

All submissions for the conference track must be conducted with our online submission system. We would not accept submissions via e-mail or postal mail. Please submit a PDF proceeding written in only English.

Submission and review of papers for ADADA 2022 will be managed through an online conference paper management system called "EasyChair ". You will need an EasyChair account to be able to submit your paper.

The program committee will review all submissions carefully and select papers of exceptional quality for an award from all categories. Furthermore, the authors of the selected technical papers and art papers from the conference will be invited to prepare an extended version of their paper to be considered for publishing in ADADA International Journals (ADADA Journal).

Technical Papers are a conventional academic papers. The authors are requested to give their oral presentations at the conference. Any topics about digital art/design fields ranging from technical research to cultural matters can be accepted. Artistic projects are encouraged to submit as Art Papers. In any case, your presentation should mention both aesthetic aspects and technical aspects of your project. Also, a process of the project should be explained logically, and your contribution to digital art/design field must be clarified. Regardless of your topic, you must describe your project in a scholarly manner.

Art Papers are more artistically-oriented papers than Technical Papers. You can present any type of artwork, as long as digital technologies are used in it. If you produced a cutting-edge digital art such as a computer animation and an interactive art, Art Papers would be a great showcase at an oral presentation. You can share your ideas between hundreds of artists and researchers, and it may evoke a synergistic effect in the Asian digital art community. You should describe an artistic motivation, a background of your artwork, and how digital technologies are involved in your work, and so on.

This is the session for on-going researches or seeds researches. Presentations of faculty students or post-graduate students will be also suitable. Even presenters need to apply with up to 200 words abstractions for the application and each of presentation’s duration will be about 10 minutes using slides.

Papers submitted to Work in Progress are only briefly screened and are not peer reviewed. Presenters may participate in this session with only a 200-word summary in English.

Presentations may be declined if the program committee determines that the content of the proposal is not appropriate for presentation at the conference, for example, if it deviates significantly from the topics covered by the conference.